A Dude With Breasts

9732753First Grave On The Right by Darynda Jones
My Rating: 4/5 Stars

Charlotte “Charley” Jean Davidson reminded me of a dude with breasts, a Meatloaf if you will, but with a rockin’ bod. Sorry Meatloaf. She has more attitude than a trust fund baby tooling around Albuquerque in a Lamborghini, stolen police siren, and Jimmy Choos. She even manages to name her womanly parts, and as far as I know, most women don’t bother. When you’re a guy, though, you can just name your penis Spike and be done with it. But coming up with four names certainly proves more of a challenge. If you’re curious, her breasts are Danger and Will Robinson, and her ovaries are Beam Me Up and Scotty. And if you don’t find that funny, or even slightly amusing, you probably won’t enjoy this novel.

Her voice sucked me in faster than you can say hoo-hah, as I rumbled along for one epic ride. I love great beginnings, and this novel certainly meets the criteria. FIRST GRAVE ON THE RIGHT opens with these two lines: “I’d been having the same dream for the past month—the one where a dark stranger materialized out of smoke and shadows to play doctor with me. I was starting to wonder if repetitive exposure to nightly hallucinations resulting in earth-shattering climaxes could have any long-term side effects.”

Maybe being pulled out of a dream like the one above helps explain why she doesn’t like mornings, and I couldn’t do a better job of describing her complete and utter dislike of daybreak than Charley: “While I normally weighed around 125…ish, for some unexplainable reason, between the hours of partially awake and fully awake, I weighed a solid 470.”

Other than the voice, though, this novel managed to keep me entertained with antidotes accompanying the beginning of each chapter grabbing my attention. Whether a personal quote, bumper sticker, or t-shirt, with references to the dead and ADD and bright, shiny objects, it certainly added a little extra to the amusing tone confined within the constraints of this novel. Oh, and I can’t forget about the names and character nicknames that pop up over the course of this comical tale there’s Strawberry Shortcake and Bobby Socks and Patty Cakes Strip Clubs and Cookie Kowalski and Ubie and a car named Misery.

The mystery may not have overwhelmed me with its complexity, but with Charley by my side, I thoroughly enjoyed the ride. While I had never contemplated having sex with a spirit before, were such a thing possible, I might have to reevaluate my Fantasy Sex Wish List. All in all, though, this particular concept sounds more intriguing to me than getting it on with vampires or werewolves.

Charley’s voice carried me above the usual fray and made my mystery/fantasy jaunt worth the journey.

Snowballed Downhill Faster Than A Model T

17784738The Bones Of Paris by Laurie R. King
My Rating: 2/5 Stars

The reading slump marches onward, as do I. I almost feel like the poster child for one of those anger management classes where we discuss our feelings and the source of our discontent and why we have problems dealing with our emotional issues and why we can’t get along and actually be productive, contributing members to society. I don’t have a valid reason for my current behavior, other than to say I’ve been disappointed and repelled with the current crop of books that has made its way onto my Kindle. Most of it is of my own doing, but I couldn’t say no to free books, and I wanted to broaden my horizons a bit with some different reads. I’d like to apologize in advance as I attempt to control my out-of-synch behavior and reach that happy place—that book loving utopia—that I know is out there waiting for me, but alas, I will not find with THE BONES OF PARIS.

That’s not to say this tale is a bad or horrid or evil or wicked or corrupt read. Oh, no, this novel held promise and writing talent and dangled both in front of me like the proverbial carrot, as my jaws snapped at the proffered present, and I clenched nothing but air between my teeth. I tried and tried and tried again to end up sucked into a world where Paris, France stood tall and proud and larger-than-life with characters who felt realistic and hopeful and truthful, and I ended up flat on my back with my legs sticking straight up in the air in a sort of bike pedaling motion.

Harris Stuyvesant proved to have one-too-may sticks up his bunghole, and try as I might, I couldn’t pull them all out without removing most of his personality in the process. While he was certainly an admirable character, I never felt emotionally connected to him, almost as if he stood at a distance, while I stood at an easel and politely provided a portrait. Nancy Berger and Sarah Grey, however, proved much more to my liking and every bit as entertaining as I had hoped poor Harris would be. The rest of the cast of characters proved both interesting and a bit off-putting in a snooty sort of air that left my feathers more than a bit ruffled.

The main plot proved engaging, but the sidebars and sidetracks and subplots and runaway tractor trailers kept me from ever being fully engaged in this tale. Instead, I stood on the side of the road with my thumb pointed upward, as this tale passed me by without even a second glance in my direction. And for a while the writing was good enough that it didn’t matter, but about a third of the way through I began to have my doubts that only snowballed downhill faster than a Model T.

*BEGIN SPOILER* The climax and resolution left me more than a bit underwhelmed. To have the villain blame the machine for the rather fantastical killing spree seemed just a wee bit much to me. And what kind of a name is Le Comte Dominic de Charmentier? He sounds as pompous as a proud politician, but yet he’s this criminal mastermind that pretty much spouts at the mouth like a fountain telling Bennett Grey the reason for his actions, and then he’s going to off himself with his own gun. It all seemed a bit too Candy Land for me. *END SPOILER*

I received this book for free through NetGalley.

More Mississippi Than Massachusetts

17259190A Crack In Everything by Angela Gerst
My Rating: 1/5 Stars

Poisoned Pen Press let me down. I don’t blame the author, although I suppose I could. But the author and I didn’t have a history, an established relationship, a rapport if you will, and from my perspective it was going really well. Poisoned Pen Press published good novels, and I like to purchase and read good novels, so it was what amounted to a beautiful friendship.

I’d met a few of their authors, along with one of their founders and editor-in-chief Barbara Peters, and I’d even been fortunate enough to have two of their authors blurb my debut mystery novel, so if this were a batting cage, I’d be knocking every single ball out of the park. I ended up lost in worlds created by Jon Talton, Frederick Ramsay, Tammy Kaehler, Rachel Brady, and Dana Stabenow, clipping along at a nice, even pace, and then this disaster slammed me into a brick wall, the airbag deployed, and I ended up with a rather severe case of whiplash.

If I had to sum up how I felt while reading A CRACK IN EVERYTHING, I’d say it was similar to being audited by the IRS. Not that I’ve been audited before (and if any IRS employees are Goodreads members, I’d really appreciate your continued support in keeping me off of the naughty list).

So what caused this mother of all letdowns? Like any major car accident, it wasn’t a particular incident that pushed me over the edge, but several little instances that caused the ensuing explosion. The biggest offense (and I thought of my wife as I read this, since she lived in the Boston area by choice and New Mexico by accident) was that it didn’t feel like Boston. Sure, Angela Gerst name-dropped Waltham and Moody Street and Harvard Square and the North End and Charlestown and Newton and Brookline and Chestnut Hill Mall and Copley Place and I believe there might have even been a T reference, as well as other hotspots around the city, but it felt more Mississippi than Massachusetts. This isn’t Robert B. Parker’s Boston, that’s for darn sure. The novel lacked even a basic grit that’s normally present in the Boston area, and certainly nowhere near the caliber of Dennis Lehane, who really lets his love for the city shine through on every single page of his novels. This brings me to another point. Ms. Gerst is originally from New York, which isn’t necessarily a bad thing, but it’s the mother of all sins to a Boston native. She would have been better off just flat-out lying about that part in her bio (and saying she was from Iraq or Iran), or just eliminating it altogether. This is a feud so hot and heavy that a David Ortiz jersey buried at the new Yankee Stadium made The New York Times.

Let me stop for a moment here. I realize Susan Callisto is from California and so she’s a transplant (as was I for over two years), but she should have adapted to her surroundings. I also realize the novel is written in first person, so she’s not going to use words like idear, or pahking the cah, lobstah, or chowdah. But the people who were natives of the city should have spoken in Boston accents more than one time in the whole novel. Just dropping a word here and there would have added an underlying realism that just didn’t seem to be there. Dunkin’ Donuts, the business of choice for many a Massachusetts resident, didn’t receive a single mention. With over 80 stores in the Boston city limits alone, it was the equivalent of discovering some sort of alternate universe. And maybe that’s what this novel attempted to do all along. If so, it has certainly succeeded. But if it really was supposed to be set in reality, I have included the link to The Wicked Good Guide to Boston English, along with a few choice words and phrases (stolen from aforementioned site), since Boston does indeed have its own language.

Av – an avenue with a long name, for example, Massachusetts Avenue becomes Mass-av; Commonwealth Avenue, Comm-av.

Bubbla – that’s a water fountain to you, bub.

Chowdahead – stupid person. The phrase has spread westa Wihsta, but it’s definitely of local origins.

Dunkie’s – the donut shop on the corner.

Frappe – a milkshake or malted elsewhere, it’s basically ice cream, milk and chocolate syrup blended together. The ‘e’ is silent.

Frickin’ – the F-word as an adjective in polite company. “Often paired with ‘wicked,’ creating the sublime poetry of ‘The Ozzy cawncert wuz frickin’ wicked!'”

Jimmies – those little chocolate thingees you ask the guy at the ice-cream store to put on top of your cone.

The Pike – the Massachusetts Turnpike. Also, the world’s longest parking lot, at least out by Sturbridge on the day before Thanksgiving.

Rotary – a traffic circle. One of Massachusetts’ two main contributions to the art of traffic regulation (the other being the red-and-yellow pedestrian-crossing light).

Wicked – a general intensifier: “He’s wicked nuts!”

Here’s a link to the full site: The Wicked Good Guide To Boston English

Update – If you need a good laugh, you should check out the love that this same review has received on Amazon. To view the affection, click here. Oh, and in case you’re wondering, I still stand behind my original review, possibly even a bit taller than I did before. And I will say I’m a bit disappointed if this is the best they’ve got.

Me And Kinsey

6643885“A” Is For Alibi by Sue Grafton
My Rating: 3/5 Stars

Me and Kinsey on Santa Teresa Boulevard. And Las Vegas Boulevard. Sorry wrong decade, but I was having a nostalgic Paul Simon moment, and I just couldn’t turn it down. And yeah I figured I would use improper grammar and discreetly reference KINSEY AND ME: STORIES which I haven’t yet read and I may never get to based on my current TBR shelf and future book endeavors. For those of you curious about the Paul Simon reference that would be “Me and Julio Down by the Schoolyard,” which graced the world with its presence in 1972 exactly 10 years before “A” IS FOR ALIBI was first published. If you’re looking for another piece of random trivia, the first printing was 7,500 copies, of which about 6,000 were sold. Needless to say, Sue Grafton took a ride up mystery mountain (she didn’t actually quit her day job until “G” IS FOR GUMSHOE”) where she currently looks down at the rest of us mere mystery mortals and probably laughs occasionally. Or at least that’s what I’d do if I were her since I can smile and laugh on command. And we’re back on track.

What immediately struck me with this novel was the voice that popped off the page. Kinsey Millhone reminded me of the hardboiled voices of old, which isn’t surprising since Ms. Grafton’s strongest influence was Ross Macdonald. Being fascinated with mysteries of related titles, similar to John D. MacDonald and Harry Kemelman, led her to create a mystery series of linked titles and shackled her to one series and character for 26 books, 22 of which have been published as of this review. Of those, I have the first 15 on my Kindle, so Kinsey and I will be joined at the hip through letter O. But I’ll be taking my time as I slowly meander my way up the mountain.

In her first outing, Kinsey reminded me of a piece of wood that hadn’t been sanded or varnished or even painted for that matter. I know there’s a splinter in there somewhere, and if I poke around too long, I’ll find it, or it’ll find me. Either way, I’ll need the tweezers, and there’ll be more poking and prodding and I’m probably not going to like that much either. But she does show promise and potential if she can just manage to get her house in order and sand off those rough edges. She’s thirty-two years old and twice divorced, which means she has bad taste in men, or men unwisely choose her as marriage material, or she likes the thought of being married but doesn’t like the whole commitment aspect. Based on the fact that she’s a loner and unsentimental, I’ll toss option C out the window. I haven’t learned enough about her character to really give a definitive answer, but she does exhibit signs she might be a praying mantis or a tarantula. I don’t really have a problem with her being slightly unlikable, since interest and intrigue keeps me turning the pages, and she does exhibit both qualities rather nicely.

The plot felt a bit nebulous to me, instead of being compact and fully-formed. Sure, there’s a murder—well, multiple ones actually—and there’s a case of insurance fraud that Kinsey investigates, but it all proved a bit simpler than I would have liked. Maybe it was the climax and ending that whipped me completely out of alignment, with their rifle-like resolutions where my ears were still ringing from the blasts.

While this is Kinsey’s story, her female compatriots—Gwen and Nikki Fife and Sharon Napier and even Marcia Threadgill, whose boobs “sagged down like flesh melons bursting through the bottom of a string bag”—proved more interesting than the male counterparts, who always seemed about a half mile behind and rather worse for wear.

I’m interested enough to continue on with the series, especially since Ms. Grafton is a three-time Anthony and Shamus Award winner and is a recipient of the Grand Master Award from the Mystery Writers of America. But I won’t rush right to my Kindle and pop open the next book.