Catastrophe Meet Wayward

17920175Wayward by Blake Crouch
My Rating: 4/5 Stars

A fate worse than death awaits the townsfolk of Wayward Pines. Prison could be considered a picnic. In prison, there are rules, laws, restrictions, and armed guards, who in theory at least, help keep the peace. Wayward Pines has no such laws and restrictions. Sure, there’s a guidebook handed to every new resident, all inhabitants have been implanted with microchips for security reasons, an electrified fence and razor wire help solidify the perimeter, and snipers keep occupants between the crosshairs…and hell is an inferno that is run by Lucifer for the greater good of the underworld.

If you want to totally and completely destroy a man’s soul without actually taking his life—consider this a more interesting social experiment than prison—just put him in the midst of a makeshift town, with other ne’er-do-wells just like him, put the meanest, nastiest, cruelest motherfucker you can find in charge, and then surround the boundary with a sea of mean and nasty motherfuckers, secure the perimeter with an electrified and razor wire fence, and then you’ll have hell on earth. Oh, and you may want to bring a mortician by periodically to collect the bodies. Otherwise, you can let it all play out on the TV monitors from the comfort of your own home. Now that, my friends, is reality television.

Plenty of normal characters, and even a psychopath or two, grazed these pages. A few of the more prominent ones were Kate Ballinger, Theresa Burke, Pam (no last name), David Pilcher, and of course, Ethan Burke, who has a bit of the tragic hero in his blood. But tragedy kept me flipping pages as trees and scrub brush and an abby or two went up in flames. I was a rubbernecker on this side of the road, thankful that I could keep right on driving, because there was no way in hell I planned to stop for this crazy train.

While there’s certainly a mystery here, with a dead body that appears fairly early on, the real pleasure here, sadistic as it may be, is the horror that surrounds this town, and the horrors contained within. Catastrophe meet WAYWARD, and neither, I’m sure, will benefit from the introduction. As my eyes opened wide, the continued hallucinations nearly took my breath away. And if I hadn’t already been to Boise and realized it’s actually a decent place, I’d have probably wiped Idaho from my Christmas list.

I received this book for free through NetGalley.

Eccentric Read

8710152Fender Benders by Bill Fitzhugh
My Rating: 4/5 Stars

Money turns otherwise rational people into shitheads, and people with more money than sense often turn out to be the biggest shitheads of all. And fame amplifies small idiosyncrasies into major catastrophes, to include drug use, fornication, and anger management issues. These themes run rampant in Bill Fitzhugh’s masterpiece.

Eddie Long, a talented artist looking for his big break, gets it on both ends: Megan Taylor, a newly attached love interest, who is the pitch-perfect gold digger and Big Bill, a record executive with three ex-wives, who’s as unscrupulous as any political fat cat in the DC metropolitan area. Big Bill talks with one hand and shoves every bill he can find down the front of his massive drawers with the other, mostly off of unsuspecting artists too wet-behind-the-ears to notice. And he talks faster than a locomotive without brakes.

As for the best way to describe this book, it’s like Metallica combined with Carrie Underwood and Eminem. For the first part of FENDER BENDERS, I felt like I had wrapped an axle around a tree, but the car was still running, and so I checked my rearview to make sure no one had seen me or the tree, and then I peeled back out onto the highway and kept my eyes on the horizon. Sure, this novel can be discombobulated at times, mostly near the first half of the book, but like my torn up wheels, as long as it helps me reach my final destination, I’m willing to get a bit sidetracked along the way, especially when the payoff makes me glad I took a slight detour. And it all comes together like a 100 piece orchestra reaching the dramatic crescendo.

As for the insights into the music industry, they were refreshing, completely believable (clearly Mr. Fitzhugh has done his homework), and not overdone, at least not any more outlandish than the rest of the novel, which had me in stitches at times. But I ended up getting rather peeved at Nashville, the music industry, and all the ways artists get ripped off in the name of stuffing some fat cat’s bank account. The starving artist never comes out ahead, no sir. Sure, it’s easy to take this novel tongue-in-cheek, but what really caused the air around me to turn hotter than a sauna is that there’s an element of truth, and possibly even more so than just an element, in what this novel brings to light about overzealous pocket stuffing. I mean, when lawyers are showing more morals than record executives clearly there’s a level of corruption proliferating that would make even Enron and WorldCom blush.

If Bill Fitzhugh ever ended up in his own story, he’d be placed in a straightjacket, handcuffed to a bed, and pumped so full of meds, he’d think the world was painted in rainbows with popsicle sticks. So for those of you who like humor, with eccentric characters and eccentric reads being your modus operandi, then you might want to hop in your Mercedes and head on down the highway, where the tea is always sweet, the shrimp are always fried, and your only source of music is country.

Snowballed Downhill Faster Than A Model T

17784738The Bones Of Paris by Laurie R. King
My Rating: 2/5 Stars

The reading slump marches onward, as do I. I almost feel like the poster child for one of those anger management classes where we discuss our feelings and the source of our discontent and why we have problems dealing with our emotional issues and why we can’t get along and actually be productive, contributing members to society. I don’t have a valid reason for my current behavior, other than to say I’ve been disappointed and repelled with the current crop of books that has made its way onto my Kindle. Most of it is of my own doing, but I couldn’t say no to free books, and I wanted to broaden my horizons a bit with some different reads. I’d like to apologize in advance as I attempt to control my out-of-synch behavior and reach that happy place—that book loving utopia—that I know is out there waiting for me, but alas, I will not find with THE BONES OF PARIS.

That’s not to say this tale is a bad or horrid or evil or wicked or corrupt read. Oh, no, this novel held promise and writing talent and dangled both in front of me like the proverbial carrot, as my jaws snapped at the proffered present, and I clenched nothing but air between my teeth. I tried and tried and tried again to end up sucked into a world where Paris, France stood tall and proud and larger-than-life with characters who felt realistic and hopeful and truthful, and I ended up flat on my back with my legs sticking straight up in the air in a sort of bike pedaling motion.

Harris Stuyvesant proved to have one-too-may sticks up his bunghole, and try as I might, I couldn’t pull them all out without removing most of his personality in the process. While he was certainly an admirable character, I never felt emotionally connected to him, almost as if he stood at a distance, while I stood at an easel and politely provided a portrait. Nancy Berger and Sarah Grey, however, proved much more to my liking and every bit as entertaining as I had hoped poor Harris would be. The rest of the cast of characters proved both interesting and a bit off-putting in a snooty sort of air that left my feathers more than a bit ruffled.

The main plot proved engaging, but the sidebars and sidetracks and subplots and runaway tractor trailers kept me from ever being fully engaged in this tale. Instead, I stood on the side of the road with my thumb pointed upward, as this tale passed me by without even a second glance in my direction. And for a while the writing was good enough that it didn’t matter, but about a third of the way through I began to have my doubts that only snowballed downhill faster than a Model T.

*BEGIN SPOILER* The climax and resolution left me more than a bit underwhelmed. To have the villain blame the machine for the rather fantastical killing spree seemed just a wee bit much to me. And what kind of a name is Le Comte Dominic de Charmentier? He sounds as pompous as a proud politician, but yet he’s this criminal mastermind that pretty much spouts at the mouth like a fountain telling Bennett Grey the reason for his actions, and then he’s going to off himself with his own gun. It all seemed a bit too Candy Land for me. *END SPOILER*

I received this book for free through NetGalley.

No Plethora Of Adverbs

16130073North Sea Requiem by A.D. Scott
My Rating: 1/5 Stars

“To a man with a hammer, everything looks like a nail.” – Mark Twain

With the publication of this review, Simon & Schuster and Atria executives will have bleeding ears and red faces and I’ll be placed in the crosshairs of a hit man named Jeb and I’ll be quietly removed from NetGalley and Amazon will put me in chains and lock me away and I’ll be alienated and isolated to the point that no one will talk to me but my wife and some little dog named Fluffy who will come and visit me when I’m put in an insane asylum and shoved in a straitjacket and thrust paper cups at random intervals filled with blue, white, and yellow pills.

If I could provide a one-sentence summary, it’d be as follows: Aspiring authors should read this novel for what not do as a writer. Forget Fifty Shades, this is your Bible. Study it, learn it, and then don’t ever fucking do it. Okay? Okay.

Here are a few of the highlights/lowlights:
Passive voice? Check.
Exclamation point minefields? Check.
Repeated dialogue? Check.
Circular communication? Check.
Not getting to the point? Check.
Am I making myself clear? No.
Verbose to the point that I wanted to offer up editing services? Check.
Overuse of accent and dialect? Check.
Historical? Yes.
Mystery? Possibly but it was a side car on this happy train.
Plenty of clichés? Check.
Used thought/saw and likeminded words to the point that it pulled me out of the story? Check.
Overuse of telling instead of showing? Check.
Stilted dialogue? Check.
Stilted characters? Check.
Plot twists? Possibly but I missed that particular train.

This novel made me so angry that I thought I had developed a complex. I wanted to tackle Santa Claus, throttle the Easter Bunny, and punch out the tooth fairy. And I had this absolute darkness lingering over me like a rain cloud. On the bright side, I came up with a character that will have a mother lode of shit dumped on his head, as I explore the depths of darkness ordinary individuals can sometimes face. If not for this particular book, this wouldn’t have been possible.

Oh, and Stephen King will be pleased that at least one element of his craft was followed—there wasn’t a plethora of adverbs.

I literally wanted to pound the shit out of NORTH SEA REQUIEM with a hacksaw, hammer, battering ram, and a flack vest. And then pick it back up and do it all over again.

Curtain calls and fancy halls and soccer balls and…you may finish this sentence however you like.

I received this book for free through NetGalley.

A Disturbance In The Creative Force

17928002Alex by Pierre Lemaitre
My Rating: 1/5 Stars

If I may be so bold, I’d like to begin at the end and say there’s definitely a “disturbance in the creative force.”—thanks Amanda Or at least that was my first thought after completing this novel.

If I didn’t want to embrace books with a warm hug and proceed to shove them out into the world by talking about them, promoting them, and engaging in lively discussions with informed readers across the space and time continuum for the rest of my life without fail, I could very easily just write ALEX off and move on with my life, rubbing my palms together, and then ducking under an overpass while the train rocks the tracks above my head. But that wouldn’t be okay, and it certainly isn’t a productive use of my time. Maybe I’m half-sensitive, half-crazy, prone to second-guessing, and have enough of an ego that I feel like I need to somehow be a productive member of society and make some sort of contribution before I dissipate off this Earth faster than a fart in the New Mexican wind, so here we are, wonderful reader and I, dancing the tango over yet another book review. Where I hope to impart a few thoughts, informed opinions, and constructive criticisms, and you can pretend that you actually give a flying fart.

Here are a few of the issues:
Constant telling to the point that I wanted to rip my hair out? Check.
Inside Alex’s head way too much, to the point that I could set up camp, read a newspaper, and smoke a cigarette while balancing a tumbler on my left knee? Check.
Shaggy dialogue? Check.
Exclamation point minefields? Check.
Not getting to the point? Check.
Am I making myself clear? No.
Piss-poor similes and metaphors? Check.
Overstated, redundant, bloated prose? Check.
Stilted, stiff, wooden, overformal, mannered, and pretentious dialogue? Check.
Overemphasis on ellipses? Check.
Repetitious to the point that I thought I had developed CRS disease? Check.
Drama and heightened tension sucked out of the prose faster than a Hoover by mediocre writing? Check.
Excessive stammering to the point that I wanted to offer speech lessons? Check.
Mystery? Possibly but it was a side car on this happy train.
A supposed thriller minus most of the thrills? Check.
Plenty of clichés? Check.
Immediate and unexplained epiphanies? Check.
Brings words like pussyfooting to the foray? Check.
Penchant for passive voice? Check.
Almost seemed to switch POV in the middle of a few scenes? Check.
Editing comments that were both annoying and frustrating and over explained the difference between French and English? Check. (This should be fixed upon the official release, otherwise readers are in for a real treat.)

For the first two-thirds or so of this tale, Alex Prevost just might have been my least favorite character of all time. I’m not sure I could have looked at her, or even been in the same room with her, and being in her head for so long proved rather torturous, corrupting me on more than one level. *BEGIN SPOILER* But once I did understand the motivations for her actions, she did grow on me however slightly, even though it was probably a bit too late in the game for me to come full circle in my way of thinking. And the ending itself proved a bit farfetched even for this roller-coaster-induced tale. *END SPOILER*

If I didn’t already have some sort of complex where I tend to question myself, ponder the meaning of life, and seek out both the good in people and books, I might be perfectly fine with writing two one-star reviews in a row. But I can’t help but feel as though I have somehow failed the universe.

Upon finishing ALEX, I don’t really feel anger or frustration or fury or annoyance, I feel a lingering, profound sadness that hangs over me like the sun, a sense of defeat and loss and despair that clings to me like a wet t-shirt, and then I don’t really feel much of anything at all.

I received this book for free through NetGalley.

Rebop And Daddy-O

12835696Brown’s Requiem by James Ellroy
My Rating: 4/5 Stars

I love hard-boiled voices. Why? You might ask. Because I like seeing a dickhead get punched in the gullet and knocked on his keister. I take an absurdly sick pleasure in this scenario. Again, you might ask why. Well…because I have literally been an underdog my entire life. I might as well have a t-shirt with the mantra “Constantly Underestimated.” If it were a theme song, I’d sing the chorus, pound the drums, and lead the backup vocals. But I don’t mind. In fact, it’s great when the bar is set low enough that I can practically crawl over it, and I set my goals as high as a CEO, and somewhere in the middle, I come crashing through like a hurricane, to the point that I might as well have stunned my opponent with a Taser, stapled his head to the carpet, put a metal plate in his head, and fired up the microwave.

And that’s what a good hard-boiled novel does for me. I down a bottle of Jack, fire my Beretta at my flat screen, and then wait for the fuzz to show up at my door, so I can show those coppers a thing or two. And Fritz Brown certainly uses his .38 when the situation warrants it. The voice was hard enough that I might as well have been picking grit and grim out of my teeth with a chainsaw. I savored every minute of the journey. I was transported to a time where rebop and Daddy-O were common lingo, although both were used a bit too frequently for my liking. That’s the downside to slang: It doesn’t normally age well.

But that was a small price to pay for a story that had me digging my fingers into the sofa cushions and was filled with enough beautiful broads and dames to start a backup band. My personal favorites were Jane Baker and Kallie and Dori, all of whom packed more than enough feminine wiles to start a drunken riot with the right rowdy crowd. The men—Omar Gonzalez and Walter Curran and Richard Ralston—proved just as interesting and even more intimidating.

Every PI needs the right mode of transportation, and the Camaro served Fritz’s purposes well. Its heft and muscle popped off the pages and into my living room, the engine roaring louder than a mountain lion. Even brief interactions—Brothers Mark and Randy and Kevin and Bob and Sisters Julie and Carol—proved a nice respite from the heart of the action, and had me salivating at the fire pit, although the thought of gamey grilled dog nearly flipped my stomach.

If hard-boiled PIs and time warps are your forte, and you don’t mind early Ellroy where he’s still refining his craft, then you might find yourself enjoying the ride. Just make sure you hold on tight and occasionally squeeze your eyes shut.

I’d like to end with a monologue that has absolutely no relevance whatsoever to BROWN’S REQUIEM, that I stole off of Wikipedia, which they stole from The Evening Class. Other than being entirely entertaining, it serves no orthopedic function. James Ellroy often starts public appearances with a version of the following: Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I’m James Ellroy, the demon dog, the foul owl with the death growl, the white knight of the far right, and the slick trick with the donkey dick. I’m the author of 16 books, masterpieces all; they precede all my future masterpieces. These books will leave you reamed, steamed and drycleaned [sic], tie-dyed, swept to the side, true-blued, tattooed and bah fongooed [sic]. These are books for the whole fuckin’ family, if the name of your family is Manson.”

Meet Charlie Hardie

11828769Fun & Games by Duane Swierczynski
My Rating: 4/5 Stars

Meet Charlie Hardie, former cop, resident badass, coming to housesit in a neighborhood near you. He gets drunk and watches old movies as often as Congress runs a budget deficit, before he meets Lane Madden, a chick with more attitude and gumption and fighting ability than the top UFC contender, and gets tossed in the middle of the ring with a group of coldblooded killers. Lane’s tough, and she’s not about to take attitude from anyone, including a group of hit men and one woman who want nothing more than to see her dead.

If I had to pick a favorite character (and this is nothing short of a difficult task), I’d have to say Mann topped the charts. She focuses on the score, and she has a body and an attitude that just won’t quit. Despite being maimed and mauled (and her thing against guns), she’s going to see her assignment through all the way to end, as long as she still has a breath or two left in her. She focuses on her script, and she sets out to direct her masterpiece, even if she has to improvise her plan multiple times.

If FUN AND GAMES had been set anywhere other than LA, the high speed chases on narrow mountain passes, the tan, shaved woman sunbathing on her deck in the nude in broad daylight, the impalement of Charlie by a beautiful woman in a t-shirt and bikini underwear wielding a microphone stand like it’s a machete, and the house that goes up in flames faster than a hayfield after a lightning strike, the antics might have strained my believability factor, even though I have a high tolerance for suspending disbelief. But I figured this was LA and all bets are off, literally, and I thought absolutely nothing of the shenanigans, as I pushed the car close to ninety in the middle of the freeway, flipping page after high-octane page, and enjoying the ride with every smooth turn.

All The Way Cuckoo

12837725Gone Girl by Gillian Flynn
My Rating: 5/5 Stars

I think I might have met someone that is certifiably insane. Not just a little insane but all the way cuckoo. So crazy that I want to get out of her head right now, rinse myself off, and then down some sort of medication to ease the pain that is building up like a ball of wax.

And just when I thought I had everything figured out, I found myself traveling on a different elevator, headed to a different destination, and in the opposite direction. I realized I knew nothing. Possibly even less than nothing. It’s like a light switch was suddenly flipped on, and I discovered I was standing in a bedroom when I thought I was standing in the living room, and in my underwear, no less.

Without saying too much, I wouldn’t read this book if I planned on getting married. Ever. And since I’m already married, I might start sleeping with the nightlight on, even though I’ve never been a nightlight kind of guy. It’s that good. Literally.

Gillian Flynn has human psyche nailed to perfection: those dark places that no one ever wants to talk about or visit, those demons that are stuffed in a closet, duct taped from head to toe, and then tied to a chair. It freaked me out, because it felt so real, and was as real as any piece of fiction I’ve ever read.

If you like dark, psychological fiction, then you’ll want to snap this book up faster than a piece of Ghirardelli chocolate. Just make sure to leave the lights on while reading.

Unreliable Narrator

10323019Before I Go To Sleep by S.J. Watson
My Rating: 3/5 Stars

Christine proves rather reliable in her unreliability as a narrator. But it’s not exactly breaking character since she can’t remember shit. I’ve had traumatic experiences in my life, and I can’t remember that particular time period. My mind is blank. It’s like that particular event didn’t happen, except I remember the before and the after and there’s a crumpled car to prove to me that I’m not just making shit up in my head. And if your entire world revolves around your husband Ben and you suddenly see three words in your diary—DON’T TRUST BEN—I can understand how that might be terrifying and traumatic for you. I’d equate it to building a million dollar mansion on quicksand.

The structure worked for me. It added suspense. Had BEFORE I GO TO SLEEP been structured any other way, it would have crumbled in on itself like an origami bird. But I didn’t like the ending. It felt a bit like cheating to me. *BEGIN SPOILER* Christine suddenly has her memory back or large chunks of it at least, because the supposed traumatic event is over, and Mike has been expunged from existence. It seemed a tad convenient for me. S.J. Watson may, or may not, have consumed an illegal substance during this period, and there’s a decent chance he may have inhaled. *END SPOILER*

But otherwise the story worked. It had a different feel to it, and I was turned on enough to want to know what happened, but I did have a sinking suspicion I had the ending figured out before it arrived.

For those of you who don’t like tangents, you’ll probably want to skip right on over this part. Let’s get one thing straight: There are no original plotlines. The well of lost plots has been used up, drying faster than the Nevada desert. Sure, it’s easy enough to make the argument that this story is similar to Memento, but so what? We might as well take every romance and mystery off the shelves…and sit around and wait for someone to come up with something “original.” I’ll save you the suspense: You probably have a better chance of meeting a little green alien, having him tickle your forehead, and then receiving a wet smack to the lips. Guess what? The Fast & The Furious is essentially the same as Point Break, only there’re cars and car racing instead of surfing. And the director of The Fast & The Furious is in preproduction on a remake of Point Break. You’re welcome.

But let’s get to the good news: Even without an endless number of plots, there are an endless number of ideas and experiences and opportunities and characters that writers can bring to the table, bringing an essential “uniqueness” to the creative drawing board. The Fast & The Furious feels different from Point Break because the characters are different. End tangent.

More Mississippi Than Massachusetts

17259190A Crack In Everything by Angela Gerst
My Rating: 1/5 Stars

Poisoned Pen Press let me down. I don’t blame the author, although I suppose I could. But the author and I didn’t have a history, an established relationship, a rapport if you will, and from my perspective it was going really well. Poisoned Pen Press published good novels, and I like to purchase and read good novels, so it was what amounted to a beautiful friendship.

I’d met a few of their authors, along with one of their founders and editor-in-chief Barbara Peters, and I’d even been fortunate enough to have two of their authors blurb my debut mystery novel, so if this were a batting cage, I’d be knocking every single ball out of the park. I ended up lost in worlds created by Jon Talton, Frederick Ramsay, Tammy Kaehler, Rachel Brady, and Dana Stabenow, clipping along at a nice, even pace, and then this disaster slammed me into a brick wall, the airbag deployed, and I ended up with a rather severe case of whiplash.

If I had to sum up how I felt while reading A CRACK IN EVERYTHING, I’d say it was similar to being audited by the IRS. Not that I’ve been audited before (and if any IRS employees are Goodreads members, I’d really appreciate your continued support in keeping me off of the naughty list).

So what caused this mother of all letdowns? Like any major car accident, it wasn’t a particular incident that pushed me over the edge, but several little instances that caused the ensuing explosion. The biggest offense (and I thought of my wife as I read this, since she lived in the Boston area by choice and New Mexico by accident) was that it didn’t feel like Boston. Sure, Angela Gerst name-dropped Waltham and Moody Street and Harvard Square and the North End and Charlestown and Newton and Brookline and Chestnut Hill Mall and Copley Place and I believe there might have even been a T reference, as well as other hotspots around the city, but it felt more Mississippi than Massachusetts. This isn’t Robert B. Parker’s Boston, that’s for darn sure. The novel lacked even a basic grit that’s normally present in the Boston area, and certainly nowhere near the caliber of Dennis Lehane, who really lets his love for the city shine through on every single page of his novels. This brings me to another point. Ms. Gerst is originally from New York, which isn’t necessarily a bad thing, but it’s the mother of all sins to a Boston native. She would have been better off just flat-out lying about that part in her bio (and saying she was from Iraq or Iran), or just eliminating it altogether. This is a feud so hot and heavy that a David Ortiz jersey buried at the new Yankee Stadium made The New York Times.

Let me stop for a moment here. I realize Susan Callisto is from California and so she’s a transplant (as was I for over two years), but she should have adapted to her surroundings. I also realize the novel is written in first person, so she’s not going to use words like idear, or pahking the cah, lobstah, or chowdah. But the people who were natives of the city should have spoken in Boston accents more than one time in the whole novel. Just dropping a word here and there would have added an underlying realism that just didn’t seem to be there. Dunkin’ Donuts, the business of choice for many a Massachusetts resident, didn’t receive a single mention. With over 80 stores in the Boston city limits alone, it was the equivalent of discovering some sort of alternate universe. And maybe that’s what this novel attempted to do all along. If so, it has certainly succeeded. But if it really was supposed to be set in reality, I have included the link to The Wicked Good Guide to Boston English, along with a few choice words and phrases (stolen from aforementioned site), since Boston does indeed have its own language.

Av – an avenue with a long name, for example, Massachusetts Avenue becomes Mass-av; Commonwealth Avenue, Comm-av.

Bubbla – that’s a water fountain to you, bub.

Chowdahead – stupid person. The phrase has spread westa Wihsta, but it’s definitely of local origins.

Dunkie’s – the donut shop on the corner.

Frappe – a milkshake or malted elsewhere, it’s basically ice cream, milk and chocolate syrup blended together. The ‘e’ is silent.

Frickin’ – the F-word as an adjective in polite company. “Often paired with ‘wicked,’ creating the sublime poetry of ‘The Ozzy cawncert wuz frickin’ wicked!'”

Jimmies – those little chocolate thingees you ask the guy at the ice-cream store to put on top of your cone.

The Pike – the Massachusetts Turnpike. Also, the world’s longest parking lot, at least out by Sturbridge on the day before Thanksgiving.

Rotary – a traffic circle. One of Massachusetts’ two main contributions to the art of traffic regulation (the other being the red-and-yellow pedestrian-crossing light).

Wicked – a general intensifier: “He’s wicked nuts!”

Here’s a link to the full site: The Wicked Good Guide To Boston English

Update – If you need a good laugh, you should check out the love that this same review has received on Amazon. To view the affection, click here. Oh, and in case you’re wondering, I still stand behind my original review, possibly even a bit taller than I did before. And I will say I’m a bit disappointed if this is the best they’ve got.