Whenever I hear about a novel set in West Virginia by a West Virginia author, my muse does the happy dance, and I want to party like it’s 1863 (for the uninitiated that would be the year of West, by God, Virginia’s statehood) where our slogan is Montani Semper Liberi (Mountaineers are always free). Even as I reminisced in Fairmont and Clarksburg, with Hagerstown and Uniontown not to be excluded and thoughts of toboggans (the hats, not the sleds) and thuses (instead of pep rallies) danced through my dreams, I found myself staring at a cage filled with dead canaries and staring at a lethal dose of carbon monoxide.
Despite QUIET DELL being set in 1931 and my tumultuous affair with historical fiction and my only connection to this particular time period being that my grand pappy approximated the size of a lightning bug, I set out to love, admire, and cherish this tale, only to slip on a patch of ice and crack my head open wider than a canyon. So what happened? The dialogue approached a haphazard nature, with a peppering of exclamation points and stilted turns of phrase, excess language banging off the page, and diatribes seeping through the exposed pores; the sexual encounters approximated an asexual nature, with additional encounters hinted at but not fully explored (probably the safer bet but somehow still managed to feel a tad awkward, like kissing cousins); the story proved both ambitious and a bit convoluted, with a hazy fog slapped across my eyes, and falling short of its promised destination.
While the writing did show hints of promise, I found myself executing a mad rush to the end, somehow convinced that I had been conned all along, and that I will wake up in Chicago in an apartment with all the lights turned on.
I received this book for free through NetGalley.